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‘빨치산’은 어떻게 ‘빨갱이’가 되었나:1970-80년대 고통의 재현불가능성—이병주의 『지리산』을 중심으로

How did ‘Partisan’ become ‘The red’: The impossibility of pain-representation in the 1970s-1980s—Focusing on Lee Byung-Ju’s 『Jirisan